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A common Bulgarian family spends a warm afternoon in the fall in a country house. The preparations for a dinner party are in full swing. The formal reason is that the son enlists in the Army and the real reason is to arrange a match between him and the daughter of the boss. All the schemes are frustrated as it turns out that the boy has already married another girl. Both the hosts and the guests lose control, unleashing a consecution of tragic or comic situations.
This interesting melodrama with a dash of political realism looks at the difficult adjustment to life in the city after a life in the countryside. Anna (Marianna Dimitrova) and her husband Ivan (Plamen Sirakov) move to the capital of Sofia in search of advancement. He works the day shift in a factory, and she works at night in a textile mill. That arrangement allows one of them to always be home with the children. Much to Anna's chagrin, a fellow worker develops a passion for her and almost drives a wedge between herself and her husband. Meanwhile, the owner of the villa they now share needs to use it again, so the two have to find an apartment. Worse yet, Anna's mother dies unexpectedly. But at least her death takes them back home and gives them a chance to re-examine their values before city life shreds them completely.
The daily routine in the village of Yugla is broken by the statistician clerk Asenov, who comes with a mission to count the hare population in the locality. He makes the village mayor Bay Georgi mobilize the local men in realization of the absurd task. Same day all the village men are in the field - the mayor, the teacher, the veterinarian… Naturally all the efforts failed in fulfilling the mission since not a single hare was seen.
A young engineer arrives in a small provincial town and falls in with a traffic police inspector, a driving instructor, and a cannery-engineering manager. From sheer boredom, the inspector tickets a driver who has not broken the regulations. The driving instructor takes advantage of his position to seduce one of his students. To kill time, the engineering manager spends his time intriguing. These passions seem to be all that the three of them live for.
The young worker Pavlina and the student to be Vlado love each other. Vlado's father Parushev gets involved in their relationship. He is a director of the factory where the girl works. He sees a treat for the future and career of his son in that relationship. His fear of "unequal" marriage makes him exert psychological and moral pressure on Pavlina. Vlado has a weak character... Pavlina left alone to defend her love.
The story largely centers on a grandfather who finds himself deeply depressed by the dramatic downward turns Bulgarian society has taken. The changes of the past half century have created a deep communications gap between generations and he is unable to communicate with his troubled son. Nor is the old man able to do much to help his grandson who is making his first forays into criminal life, blaming it all on his mother who admits she is incapable of loving him. The grandfather tires of life with the bleak family and so goes to an old folks home. But that proves repressive, so he and a couple of friends leave to enact a money-making scheme. When that fails, the old man finds himself alone and destitute on the rough streets of Sofia where his despairing eyes witness the further ruination of his homeland.
An impressionistic documentary, depicting moments moments from a work day at a salt mining site during 1960s Bulgaria. The final cut. aptly titled "Salt" of the film consists of two versions of itself. The first is the original cut of the documentary, as the author imagined it, known as "Salt I". The second half is a heavily edited version, produced in accordance to terms, put forward by the Socialist Cultural Commitee at the time, called "Salt II".
Elena, a pregnant young girl walks the steep path to the orphanage where single mothers often leave their children. The girls in the hospital greet Elena with a ritual they made up. She remains closed in herself. Elena tries to contact the boy who is the father with no success. Instead of him, his parents come. People who wish to adopt a child also come. Another woman does not find the strength to overcome the critical attitude of the people towards single mothers. This leads Elena to decision to take care of her baby by herself.
One explosion takes place in the lab of the research institute of a chemical plant. Emil takes the blame. The director of the institute orders the work on the case to be suspended. After his jail sentence, Emil equips a lab in the dwelling he is renting. A little before the end of experiments there is another explosion. Emil is in the hospital. A friend announces him that the experiment was a success. Next to Emil is the girl he loves.
A small town is dealing with drought.