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Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shoot, but missed on purpose.
A guard prevents the inmate's escape from the prison. During his second attempt, the inmate decides to save guard's life who have been fallen into the river while trying to catch him. Since the guard's job is now to keep an eye on him in the cell, they spend a lot time together and their hatred turns into a sincere friendship. The guard wants to help inmate to escape again.
Experimental short film from Yugoslavia with almost no plot. First half of the film displays a girl trapped behind some walls. She stumbles around trying to find a way out, and to see what's going on in the outer world. Her frustration grows as she cannot find a way out. Then she suddenly sees a man literally walking through a wall...
A man who escaped from a prison comes to his inmate's village to find his wife, after having been told how wonderful she is. He hides at her place only to find out that she receives "night visits" from the village men. He starts a killing spree, causing panic among the locals.
A three-part omnibus consisting of Kino Klub amateurs' work: Zivojin Pavlovic's dialogue-free "Live Waters" set in 1943, Marko Babac's "Warriors" about psychological look at the two patients in a hospital room, as well as Kokan Rakonjac's "Raindrops" about alcoholic's decaying relationship with his girlfriend.
Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression.
Short experimental film.
Short experimental film.
In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for Partisan forces and thousands of refugees was the bridge on the river Neretva.
The story is set in the 112 information center, the main protagonists are two sisters, Aleša and Mia. The elderly Aleša performs a very stressful and at the same time poorly paid job in the 112 information center. Her already tense everyday life becomes even more complicated when, after many years of studying abroad, her younger sister Mia returns, without money, a job or friends, and, of course, takes refuge on the couch with her older sister. While Aleša struggles with burnout, Mia tries to find her place in this world. While saving the hardships and lives of others, will the sisters also be able to save their own?