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Vidigal, Rio de Janeiro. A woman is left desperate and hopeless after she is evicted from her house with her disabled son.
Sérgio Ricardo's only animation film, a short made as a companion piece to his song "Zelão".
In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Guilherme, who has the police on his trail for having been involved with a niece of the mayor of his city, runs away with the girl after receiving threats. On the other side is "Papo Amarelo": a bandit from Rio de Janeiro who spends the rest of his problematic life acting in robberies.
Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.
A newlywed woman, frustrated after her honeymoon, decides to search for lovers on the streets and ends up causing a conflict between her husband, a baker and a black artist.