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The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.
A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.
Karl Geschwandtner, a porter in a large hotel, has only one wish: one day, he'd like to be the lord and master, as the saying goes: to be the porter and 'ruler' in the hotel. And luck helps him to temporarily fulfill his dream. But Karl doesn't just take over running the hotel, he feels the need to stick his nose in the life of his hotel guests, too. There are couples, who don't want to be put together or apart. When a valuable jewel goes missing, he plays detective and only succeeds in helping the thief to rob the hotel guests at his leisure. Pretty soon, chaos reigns at the hotel; there's massive confusion. Even the newspaper seller, Wally, whom Karl secretly loves, is slowly starting to mistrust him. When the director of "Hotel Europa" finally returns, he throws Karl out, who thereupon simply rents a room as a guest.
German all-star musical from 1938 that was a big commercial success.
With her daughter Anita, a young singer, the widow Marianne von der Halden undertakes a journey into the past. She wants to see her former admirers again. One of them is the chamber singer Paul Schneider, who only remembers his childhood sweetheart with irony. They meet the former student Werner Birkner at his wedding, where Anita meets the teacher Michael Brantner. But the encounters make no impression on Marianne. Until she meets her former great love again at a concert given by her daughter, the general director Elmers. The concert is a resounding success and Marianne reconnects with Elmers, who is still unaware that Anita is his daughter.
After the two vagabonds Robert and Bertram flee from prison, they get to know the innkeeper’s daughter Lenchen at the “Silver Swan” Inn. Because her father is in desperate need of money, Lenchen is to marry the creditor Biedermeier instead of her beloved military recruit Michel. In order to prevent that, Robert and Bertram travel to the capital and, under false names, manage to make their way into the house of the Jewish commercial advisor Ipelmeyer, to whom Biedermeier is deep in debt. During an evening costume ball, the bums steal the family jewels and give them to Lenchen’s father. Lenchen and Michael get married and Robert and Bertram flee in a balloon into the sky.
The gifted painter Alexander Poschinger receives a financial windfall. His friends Paul and Sepp, both painters, too, aren't in the slightest bit surprise by his success, since he only paints rich women. These women come to Alexander, because whomever he paints looks pretty on the canvas. But valauble paintings from an earlier time show quite well what Alexander is capable of. In a shopping center, Alexander makes the acquaintanceship of a women, with whom he immediately falls in love. She, however, disappears --- and didn't even give him his name (ah, true, deep love). A short time later, he sees her again at a Fasching ball. She is wearing a golden mask, which practically hides her entire face. This supposedly unknown woman falls in love with Alexander and becomes his lover the next day.
In a cosmopolitan city vaudeville theatre, meeting place of the most successful artistes, the art shooter gets in suspicion to have committed a murderous poster on his jealous partner. - Not particularly successful mixture of vaudeville theatre numbers, artiste's destiny and crime film tension, on an average produced and played. A production rotated in Budapest with the popular dancer La Jana.