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Baye Laye is the captain of a fishing pirogue. Like many of his Senegalese compatriots, he sometimes dreams of new horizons, where he can earn a better living for his family. When he is offered to lead one of the many pirogues that head towards Europe via the Canary Island, he reluctantly accepts the job, knowing full-well the dangers that lie ahead. Leading a group of 30 men who don't all speak the same language, some of whom have never seen the sea, Baye Laye will confront many perils in order to reach the distant coasts of Europe.
Boy Feug, a young Senegalese wrestler, meets Robert Diouf, a former legend of “lamb”, the wrestling with strikes acclaimed by a whole country. Diouf becomes his trainer, introduces him to the wrestling culture of his people, the Serer. Finally, he brings him to face the King of the Arena, the national champion, in a final fight with a dramatic apotheosis.
First-person accounts of slaves, ship owners, traders and colonists recounting the struggle to end the Atlantic slave trade. Drawing on the logbooks, letters and diaries of the victims and witnesses to one of history’s most brutal eras, depicted through dramatic recreations, bolstered by authentic drawings and period documents, featuring insight from historical experts around the world.
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
The film opens with a striking image: seven children in rags, aged 7 to 19, crawl out from under a Brazzaville market stall where they have spent the night. Moussa Touré picks up with them there and then continues to film as they go about their business in the city, looking for food and odd jobs. Taking advantage of his closeness to the children, the filmmaker sets out to take each back to his family. But the road back is beset with difficulties that exemplify the state of Congolese society.
During the 1997 war in Congo DRC former Zaire, Francine, a 12-year-old Congolese girl, was recruited by the Rwandan army and its Ugandan ally, led by Laurent Kabila to oust MOBUTU from power. 20 years later, the Francine's mum comes to visit her. She tells her her story.
Nigerian farmer Mocktar comes to Essakane, a dusty gold mining camp in Burkina Faso, seeking work. Haunted by a tragedy-laden past, Mocktar stoically adapts to the horrid working conditions of his fellow miners. Enter the beautiful widow Coumba, who shares Mocktar's endurance but dreams of a better life.
The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.
Maria, a Ukrainian doctor, comes to Portugal to spend a year with Greco, her husband who is also a doctor. Upon arrival at Faro airport she is the only person from Kiev approached by agents of Immigration and Customs that lead her to a room of interrogation, without any explanations. All this occurs because the authorities suspect that something illegal should be behind her trip, since she is from Eastern Europe and her husband is Senegalese.
The star-stubbed cast includes Issac de Bankolè as Saar, a blind beggar, and Danny Glover as a corrupt president. In this often hilarious mix of politics and superstition, the beggars hamper the tourist industry yet play a necessary role opposite the lives of devout and wealthy Muslims. The agitated Minister of Public Health and Sanitation imposes a novel way of eliminating the problem.