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Eirini and Stella are two old maids and sisters who have grown up in the provinces and now live in Athens, in an apartment that looks out onto an open-air cinema. They are almost forty, still virgins and dependent on each other. Their only relative is their cousin Stefanos, with whom they were both in love, but who has been away in Paris for years. When he comes back and visits them, the balance between the two women is upset.
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.
One woman's lonely search for the truth about her mother's murder.
In Athens, a radical female journalist and a former stage actor share their lives against the backdrop of the regime change, right after the fall of the military dictatorship and the first legislative elections in 1974.
Five friends (representatives of the Fifties generation) now in their forties, reunite after years of silence: one arrives from jail, where he has been entering and exiting for years; the other comes from a series of 'accidental' murders; another leaves his wife and kids; the fourth is a wonderer; and the last, the sole female, emerges from a lunatic asylum where she's been hiding for years... These outcasts—tortured from barren love affairs, wounded from the deaths of their beloved and betrayed by the politics of their times—hopelessly try to reconstruct the gang of their puberty, but the revolution is lost... Now, each in their own way, will progress into a journey of death, thus opening a new chapter in the history of their generation.
A romantic girl, influenced by a popular magazine, has a series of brief adventures with her ambitious cousin, her gay cousin, her neighborhood's electrician and a distant aunt, which will land her from myths and dreams to reality.
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
Unable to conceive, a couple seeks to build a family with a young orphan, survivor of tragic childhood. But their act of love turns to horror when they realize the violence in their foster's past has returned to destroy the new family.
Like any other teenage girl, Tara is just surviving high school — yet her father and mother seem strangely distant. Amidst a nearby spree of gruesome ax murders, Tara has sightings of terrifying entities, forcing her to question her own sanity and shocking ancestry.
An orphaned girl is rescued from a satanic ritual and taken to Saint Catherine Institute for homeless youth. There she will learn new skills while facing demons that stalk her.