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The Arsonist involves the struggles of an undocumented immigrant family and a boy's coming-of-age. The son Kesuma must forge his own identity against the intimidating presence of his father Kakang, a man proud of his Javanese heritage and well aware of the social inequalities that allow his exploitation. Kakang counteracts by torching the property of those who slight him, leaving Kesuma simultaneously proud, fearful and ashamed. A clash of wills is all but inevitable. The film climaxes in a poignant conflagration, literal and metaphorical.
The story of Almayer, a Dutch trader struggling to survive in Malaysia at the turn of the 19th Century. His dream of finding a mythical gold mountain is challenged by his scheming wife, the colonial authorities, the political machinations of the local chief and Arab traders, and his daughter's love for a freedom-fighting Malay prince.
Mamat is a native of Kelantan, Malaysia, but he had left Malaysia many years earlier to join his brother Lazim in South Thailand in order to continue making his living as a trainer of fighting bulls (a Jogho). The practice had been outlawed in Malaysia but continued in Thailand. Mamat lives with his wife and three daughters, three divorcees and one who has not yet married, but he has sent his only son to boarding school in Kelantan. Mamat and Lazim are the leaders in a small village that depends mostly on the money won from gambling in bullfights for its sustenance. The story begins when Lazim is killed by Isa at the bullfighting arena.
Zaiton seduces a drifter named Amran into murdering her elderly husband, Ibrahim, to get his money and land.
Motif focuses on a police investigation and its most obvious innovation is the female perspective that the director imposes. Protagonist Dewi (Sharifah Amani) is a police officer who is sent from the capital of Kuala Lumpur to a provincial area, Tanah Merah (lit. “Red Earth”), to investigate the disappearance of the young daughter of the local community’s richest family. From the beginning, her arrival is greeted with distrust by her male colleagues, who are doubly annoyed by the fact of having an outsider who is also a woman intrude in the community.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.
After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
After reuniting with his mother in Ho Chi Minh City, a family tragedy causes Binh to flee from Viet Nam to America. Landing in New York, Binh begins a road trip to Texas, where his American father is said to live.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.