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Two famous comedians from pre-Revolution days perform a series of sketches in a theatre for a group of Party cadres. The stage performances blend over into absurdist, self-contained fantasy episodes where the two comics allegorically parody Party propaganda and ideological orthodoxy.
Lu Ban's second short titled The Man Who Doesn’t Bother about Trifles (不拘小节的人 bùjū xiǎojié de rén). He carefully toned down the political satire here, switching his target to intellectuals instead of bureaucrats. The main character, Li Shaobai, is a rude literary critic who goes to a conference to lecture about satirical literature. Li is absolutely full of himself, and constantly misunderstands other people. Like Before the New Director Arrives, The Man Who Doesn’t Bother about Trifles was greeted with plenty of positive responses. Still, while Lu tried to be more careful with this second short, this didn’t stop some critics from taking issue with its ridiculous main character and humor.
Militiaman in Lü Liang Shan actively organize to fight enemies.
During the early War of Resistance Against Japan in Baiyangdian, Hebei, the Yanling Squad, led by Communist Party member Hei Lao Cai, conducted effective guerrilla warfare. Yang Xiaomei, fleeing abuse from her husband Zhang Jinlong, joined the squad and developed feelings for farmer Niu Dashi. Zhang Jinlong, unable to change, defected to the Japanese. As Japanese sweep operations intensified, Xiaomei, Dashi, and Zhang Jinlong faced different paths in the conflict.
The film depicts Confucius's later life, as he traveled across a China divided by war and strife in an ultimately futile effort to teach various warlords and kings his particular philosophy.
In a mountain hamlet in eastern China, a poor woman faces trial after trial. Sold into marriage as a child, she is left a young widow and enslaved by her mother-in-law, who sells her to a poor peasant. Her second marriage turns out to be happy until fate takes away her husband and son. Now seen as a bearer of bad luck, she becomes a social outcast.