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Confused by tales of knights and their glorious deeds, Don Alonso, as Don Quixote de la Mancha, sets out fearlessly as a knight-errant with his friend and faithful squire Sancho Panza to accomplish great things. With rickety armor and a barber's basin for a helmet, he fights windmills, mistakes washerwomen for princesses, and monks for evil sorcerers. While Don Quixote dedicates all his deeds and the entire glory of his lady love, the most beautiful maiden Dulcinea, he contributes to the amusement of all involved.
A compilation of segments covers the seven deadly sins of greed, wrath, envy, pride, lust, sloth, and gluttony.
Sweet Virgil believes himself to be a victim of the same bad luck that has pursued parents, grandparents and ancestors before him. Terribly complexed by this misfortune, he nevertheless awkwardly tries his hand at journalism, supported by a charming editor. By chance, he comes face to face with the thundering gangster Esposito. In this cat-and-mouse struggle, the mouse wins. Esposito is arrested and Virgil is rid of his inhibitions forever.
Naturally optimistic and mischievous, Jérôme Aubin crossed the time of his adolescence, around 1945, with ease and good humor. The years passed. He married the pretty Françoise, a little neighbor he had known since the age of eight, and soon found himself a secondary school teacher, a little anxious at the thought of facing for the first time students he had been told were particularly turbulent. How will he master this new difficulty? Better than you'd think, thanks to a delicious optimism: boldly going against the grain of conventional methods, he surprises his young audience, thwarting the plans of the dissipated gossips and turning their most tendentious attitudes to his advantage. All this provokes astonishment and concern among the college's leaders. But Jérôme Aubin is no pushover, and even the dreaded general supervisor finds himself obliged to give in to his most audacious initiatives...
Walking alone and looking desperate, young Marie-Lou is taken in hand by Léo, a street photographer and his squatter friends. They all want to know what happened to her, so to satisfy their curiosity, Marie-Lou starts recounting her unfortunate experiences as a housemaid. On account of adverse circumstances, she tells them, she lost all of the jobs she had in five different families. To crown it all, the young man she has fallen in love with, a brilliant artist, is in prison...
The aunt of Alfred Puc, a meek tax-collector in Paris, dies while riding in a moving van. The driver, not wishing to be bothered by a police interrogation, hides her corpse in a cupboard before notifying Alfred. But the van is stolen. Alfred, being the heir of a rich lady, begins a frantic search to locate the missing van and the cupboard because one can't claim an inheritance if there is no 'corpus delecti.' In his search, he gets caught up in an underworld web and finds the body of a murdered gangster in his room. He finally locates the cupboard but promptly loses it again. But, wait, it isn't "finis' time, yet.
Pépito runs a gang of thugs with authority. He has a natural son, Gaston, a professor of literature in Aix-en-Provence, whom he has hardly ever seen. Gaston announces himself for Christmas, and Pépito decides to make him look good by moving into his headquarters: a château where the crooks will be able to exercise their talents as composers.
Felix is a middle-aged bourgeois husband. Much to his discomfort, he learns that his wife Gabrielle is carrying on with a young man--a very young man. Rather than express outrage, Felix decides that there's something lacking in him. He spends the rest of the picture trying to keep his wife by altering his own personality and outlook.