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Since its 1988 premiere, this critically acclaimed documentary series has presented hundreds of films that put a human face on contemporary social issues by relating a compelling story in an intimate fashion. "POV" has won virtually every major film and broadcasting award available, including 38 Emmys, 22 Peabody Awards and three Oscars.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
This documentary traces the deep-rooted stereotypes which have fueled anti-black prejudice.
A look at what it's like to be gay and black in America.
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
In these sexy, fun and darkly entertaining boys shorts, we see the hilarious terrors of gay childhood, an Internet hook-up with unexpected motivation and what happens when you hate musicals. You might wonder if theres hope for a gay Lothario, and sometimes you'll see that when you go home, the end is just the beginning.
Marlon Riggs and Peter Webster’s thesis project reflects on the heyday of Oakland blues in the late 1940s and ’50s, when an influx of African American shipyard workers mostly hailing from Louisiana and Texas arrived in the Bay Area. Combining vintage photographs, archival footage, interviews, and performances at venues like Eli’s Mile High Club, Riggs and Webster chronicle Oakland’s vibrant past while revealing an uncertain present.
Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.