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Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.
Helmed by the aesthetic Li Han-hsiang, The Amorous Lotus Pan features former Blue Jeans band member Shan Li-wen in a dual role as Wu Sung and Hsimen Ching. The reverse narrative tells the story of Wu Sung, who was pardoned from prison and seek the libidinous Pan Chin-lien (Huang Mei-tsing) to avenge his brother's death. The remorseful Pan recounted her pathetic life, which began when she was traded to the rich Changs as a maid. But she was raped by her master and flirted with Hsimen Ching and other gentleman callers
A corrupt local official, Xi Men Qing, who lusts after women and money, pursues his brother's young wife, Lee Ping Er. Ping finds Men attractive, and under her drunken husband's nose, she and Men work their way through the illustrations of a pillow book, the "Golden Lotus." Men pursues the same feat with his fourth concubine, Pan Jing Lien, who lives in the compound next to Ping. Jing's jealousy compounds a tale of humiliation, childbirth, death, and depravity. Does karma or enlightenment await anyone?
An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.
Tang Dynasty emperors, Ming Dynasty scholars, assorted fortunetellers, and several Buddhist monks figure in a trio of erotic and mystical Chinese legends.
Sin Pal and Hei Sin Lam star in this erotically charged film about two women who are both driven into a life of prostitution but for very different reasons. The first story involves a husband who punishes his wife for cheating; in the other story, a teenager must escape a strange betrothal to an 8-year-old boy.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
Two stories are included in this erotic/romantic anthology. In the first, a Sung-Dynasty (10th-13th century) Buddhist monk is tricked into sexual relations with an unscrupulous female adventurer. He dies soon after with his misdeed on his conscience. In the second, the daughter of a woman who died in a brothel discovers that her mother died an unnatural death and seeks revenge.
Early Shaw Brothers crime film