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Myshkin, an epileptic man, eturns from medical treatment abroad and finds himself in love with Nastasia. There are twists and turns as Myshkin gets engaged to another woman, only to have an epileptic seizure. He and Nastasia are betrothed but on the wedding day, she returns to her rich pursuer Pawan, who kills her. As both men wait together for the police, Myshkin descends into insanity.
A very clever parrot lives in a Hindu palace, surrounded by many beautiful girls, but the parrot escapes, and is trapped far from the palace. One day, when its new owner is sleeping, the bird convinces a young boy to open the cage door. In return, it shows the boy a secret passage to get into the palace.
A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.
Based on the text written by Vijaydan Detha and Kamal Kothari, the film is set in the arid desert of Rajasthan, a setting similar to Duvidha, where two rival clans face off one another in the desert.
A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.
An impressionistic biographical look at Siddheshwari Devi (1908–1977), the classical Indian singer whose voice was appreciated by the maharajas and public alike.
Despite its suggestive title, this multi-part Danish omnibus film is not a work of exploitation. Instead, it presents 20 different short films (back-to-back) on the general theme of Danish women, directed by filmmakers including Krzysztof Zanussi, Monika Treut, Gustav Hamos, David Blair, Vibeke Vogel, Dusan Makavejev, Morten Skallerud and Lars Norgaard. Some dramatic vignettes mix with other comedic ones, but all are offbeat and experimental. The picture includes one animated sequence (by Norgaard).
A newly-married merchant’s son is sent away for business. A ghost, who laid eyes on the bride, falls madly in love with her and takes the form of the husband and begins living with her.
Mani Kaul's diploma film shot at Ajanta Caves
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.