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In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.
Elizabeth, a sexually yielding policewoman, is miserable in the narrow-minded town in which she's living. While Rita, a lonely eel-hatchery worker, is trying to escape from the sticky situations of her life.
Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.
Marianna and her mother. Three days in their parallel lives, broken into: 1) departures, 2) visions, 3) passion and 4) an ascent.
"My name is Simeon the Madman. From now on, I will only speak my true language. I will go back to the city I remember and with the power of God, I will mock the world".
A documentary, a video-diary and a propaganda piece for the “lawless, those without hearth, nor clan” (The Iliad, ΙX,63).
In "Spaces #1", 8 beloved Greek directors shot, after commissioning by the Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "Foghorn" is Syllas Tzoumerkas's submission.
Gabriel Book, proprietor of an antiquarian bookshop, relies on his vast collection to unravel baffling cases. He nurtures a group of lovable yet troubled individuals, providing informal protection and guidance.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.