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Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.
An old and poor couple, Charles and Lucie, scrape by working as a concierge and an untalented antique dealer, respectively. But one day, their dreary daily routine is disrupted by the surprising news that they have inherited a luxurious house in the South of France.
In Genève, bookseller and publisher Axel Thorpe catches willful, rich 16-year-old Sibylle Ashby shoplifting. She brags about her writing, so he challenges her to produce a book. She writes an erotic novel that Thorpe publishes anonymously, and it becomes a best seller. She also tries to capture the love of this 40-year-old publisher but he drops her for her older sister.
Bernadette Lafont and Michel Bouquet reteam with Kaplan as, respectively, a clairvoyant and a criminologist drawn into the orbit of widow Caroline Sihol; when the latter’s late husband Pierre Arditi turns out to yet have surprises up his sleeve for all of them, Kaplan hones in on the women’s by-necessity connection. The director foregoes her own cameo in favor of ones for colleagues Jean Chapot and Claude Makovski, both as nurses.
A brilliant analysis of 19th century French Symbolist painter Gustave Moreau, known for his fantastical and mythological subjects, and who remains to these days an influential figure in the birth of modern art.
In this whimsical French comedy, Cookie (aka Venus de Palma) is a tough, sweet little rich girl, and is rather smart, too. She's smart enough and charming enough to outwit her kidnappers by setting one against the other until they have all killed each other or died trying to prove thier worth to her.
Richard is a private detective. He makes a good money from marital infidelity: the deceived husband and wife generously paid him for proof of their infidelity "halves"...
A portmanteau work in four segments,designed to illustrate the expressive possibilities of director Abel Gance,s creation, Polyvision, which preceded the American invention of Cinerama, and used three screens to present a drama of simultaneous images.
On the 1967 huge Picasso exhibition in Paris, celebrating the 85 anniversary of the painter.
This documentary focuses on the making of the 235-minute, silent epic Napoleon, the masterpiece of French director/writer/actor Abel Gance. Napoleon showcased Gance's talents with the camera, his use of multiple-images (like a split screen), and his handling of crowded action scenes -- all brought forward in this documentary by his later assistant, Nelly Kaplan. While Gance was shooting Napoleon in 1925-26, he and his crew were also being filmed for a documentary titled Autour de Napoleon. The only extant reels from that documentary are included in this film, as well as views of Gance's unique "triptychs" -- three different scenes lined up side-by-side across a super-wide screen to convey the effect of a panorama, or of three separate interludes. Nelly Kaplan put together this documentary using old footage, such as Gance filming the famous snowball fight at the Brienne military school and still photographs and excerpts from Gance's production diaries.