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Kassim (P. Ramlee) returns to Singapore after finishing his studies in London and is thrust into a betrothal with the daughter of his father’s benefactor, Salmah. However, Kassim has already met and fallen in love with someone who shares his interest in Persian poetry. She is Rahimah, a flower salesgirl in Singapore. They go on dates to the nursery, and spend time together (dancing) in a paradise-like garden (Alkaff Gardens). Even after Kassim returns to Kuala Lumpur to work in his benefactor’s rubber plantation, he never forsakes Rahimah and has a rendezvous with her in Singapore when the opportunity arises. Together again, they watch movies at the Rex Theatre, and vow to get married. Unfortunately, Kassim’s father insists on him marrying his benefactor’s daughter, Salmah, who is a rich and cultured girl. Kassim decides to fulfil his father’s death wish and marries Salmah. Eventually, fate brings Kassim to reunite with Rahiman again in their twilight years.
The film is a Malay film which was published in Malaysia in 1955. Films issued in the form of black and white film without color. The directed by director A.M. Basker in 1955 .
Storm is a Malay film which was published in Malaysia in 1955. Interestingly, the film was produced for Basker KM issued in the form of color or Gevaert Color
Aini (Aini Hayati) is left to fend for herself after her father passed away from sickness. She finds employment as a maid for a nasty woman, who seems to be in a persistently vengeful mood and showers her with verbal and physical abuse. Rather coincidentally, Aini’s boyfriend Ramlan (Ali Rahman) happens to be the brother-in-law of the abusive employer. Aini confides her sorrows to Ramlan, who clearly identifies with her grim view of life, being unemployed and in a pretty forlorn state himself. Nonetheless, Ramlan is from a middle-class background and his proposal to marry Aini, who is considered socially inferior, is met with outright disapproval.
Driven by his fears of angering his god and ruining his country, the pagan Raja sets out to eradicate the already persecuted pacifist Muslim minority. His only daughter, seeing the brutal efforts undertaken by her betrothed on behalf of the Raja.
Workers at an Eveready battery factory are disgruntled because their wages are low compared to a neighbouring factory. The factory manager exploits the workers’ rising discontent by colluding with a traitor within the workers’ ranks to instigate a strike in the factory, part of a devious ploy to take over the factory from the benevolent but incapacitated factory owner/boss. The colluders create dismal working conditions and make use of every opportunity and incident to raise the call for a strike, to sour industrial relations in a bid to close the factory down so that they can coerce the boss to hand over ownership.
The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.
Chaos is unleashed in several villages by an old demonic witch who rises from the dead. In a creepy hut filled with kemenyan incense smoke, an old witch is performing a ritual with a skull on a pedestal. The skull then transforms into a talking head that laughs often! “Aku tidak mahu mati! (I don’t want to die)” she cackles, and the head grants her wish.
Filem about Kamil a son of a rich man. His father didn't like him to be fooling around girl especially low status girl. One day a kid appear at a park and pointed kamil as his father.
Tear film is Malay film which was published in Singapore when it was part of Malaysia in 1953. Tear Film issued in the form of black and white film without color . Tear film was released in 1953 in theaters across the country . Showing Datuk Ahmad Mahmood , Datin Rosnani Jamil and many more . This is the story about forbidden love, a father and his long lost son. Rashid only discovers about his son when he was after the same woman, Hasnah. The slender and legendary, Rosnani played Hasnah. True love prevails but who manage to be with Hasnah?