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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
After meeting the woman on the train Erwin Retzmann kills her in the forest.
When a motorcyclist dies in an accident, lieutenant Kreutzer and his colleague Arnold receive the order to investigate the backgrounds of this mysterious case. Although the leads point to murder, head physician Dr. Nikolai, the driver of the car involved in the accident, maintains his innocence and even has an alibi. With a lot of arduous detail work, Kreutzer follows all leads and evidence. Both Nikolai’s colleagues and his son act suspiciously. Eventually, Kreutzer convicts the criminal who secretly used the physician’s car for his criminal dealings.
Der Staatsanwalt hat das Wort was an East German television series.
A documentary about German director Konrad Wolf (1925–1982).
Sunny is the singer of a band trying to establish itself in the East Berlin music scene. They play regular gigs in small towns, but Sunny feels out of touch with the audience and with her life as a whole. She begins a relationship with Ralph, an amateur saxophonist and philosophy student, who writes her a very personal song—but his obsession with death and unfaithful lifestyle are not for her. After getting into a quarrel with a band member who harasses her and telling off a show host, she is thrown out of the band. Abandoned, she struggles to regain control over her life.
Dammbeck made this film – a reference to the myth of Icarus and a metaphor for failure, hope, and human exploration – at the invitation of the legendary animator Kurt Weiler. It’s the first example of Dammbeck’s experimental, grotesque, surrealistic style of animation. The idea of flying, which Dammbeck uses here for the first time, will reappear continuously in his next films. THE TAILOR OF ULM established Dammbeck’s reputation among East German animation directors.
In autumn 1943, in Gross-Partsch, 26-year-old Rosa, who had come from Berlin to stay with the parents of her husband Gregor, who was fighting on the Russian front, was taken by the SS to a mysterious place. Forced to taste a dish, she joins the group of tasters responsible for checking that the food destined for Hitler is not poisoned.
At the tense 1938 Munich Conference, former friends who now work for opposing governments become reluctant spies racing to expose a Nazi secret.
Young women toiling in a factory are exposed to hazardous material which takes a disastrous toll on their health.