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Banker Rudi Moebius and his counselor arrive in Wien for an arranged marriage which should solve their financial problems. Only they don't know, but Lucie Weidling is broken too, and in love with Gustl, a musician without the courage to elope. Meanwhile Rudi meets Steffi and falls in love not even knowing her name. He and Lucie become good friends and decide to help each other.
A country girl, mistaken for the niece of an American millionaire, wins the prize in a toothpaste contest, a trip to the Baltic seashore.
Pierre Pasqual has just about everything his heart desires: in his career as a commercial pilot, he is well known and successful; he has wealth and a beautiful wife. The only thing is, that because of his career, Pierre is frequently away and the thought constantly tortures him, that his wife is up to something when he’s not home. “Who’s kissing Madeleine?” is the question Pierre must have answered.
"The Yellow Ticket" (aka "The Devil's Pawn") was directed by Vicor Janson and Eugen Illes as a German project shot partially in Warsaw. A story of a Jewish girl forced to hide her identity in order to attend medical school in St. Petersburg, the movie is a melodrama of multiple oppression. Lea, as played by Negri, is at a disadvantage as a woman, an orphan and a Jew -- and yet has immense persistence and an insatiable ambition of becoming a doctor. The film includes more than one plot twist (the final one further complicating the issue of Lea's identity), but it's first and foremost a testimony to a spirit impossible to suppress.
All the women adore a certain prominent singer, but one of them, a wealthy socialite, decides to court him by pretending to be just a simple maid.
An unemployed man who plays a concertina gets involved with a band of crooks and tries to frustrate a kidnapping, in this farcical caper.
A singer tired of the stage retreats to a hotel in the country. There, she finds love and a way back into show business.
Dolly Haas is employed as a (supposedly male) servant at a Hotel.