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Kis Katalin and Varga Jóska are getting married. During their honeymoon they are preparing plans for the future. Katalin, however, seems to lag behind both in her studies and the work competition, becoming a couch potato version of a wife. Jóska, instead of trying to help, does nothing else than his work.
The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.
The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.
Marci is drafted from a typical block building in the 6th district in Pest. He says good-bye to Juli living in the same house, with whom they are both very much fond of each other, but neither of them makes a confession. Juli works in a factory, and with her friend Gizus she goes out in the evening for dancing and drinking. After a year, Marci comes back for holiday, he is full of love.
Terpinkó, the bragging man of muscle likes womanising linked with betting: conquering is a great fun for him. He bet one to a hundred on his new boss, Éva. But the wife of the engineer handles all his tricks with annoying benevolence. Terpinkó falls in love with her and therefore he cannot stand her not returning his feelings.
Vera gets acquainted with Imre on a tram. Later, she learns that he is the brother of one of her pupils. They meet again. Imre's too passionate courting provokes refusal from the reserved school-teacher.
The hero of the story taking place at the end of the twenties is the modest civil servant, doctor Kopjáss who is suddenly appointed to be the chief attorney of Zsarátnok city. He realises slowly that his immaculate name was needed as a cover for the corrupt loan transactions handled by the lords of the city.
In 1948, when Hungarian industry counts on almost every liter of fuel, the production of Makert, an American oil company in Hungary, is declining by the day. The firm's American owners claim that the oil field is depleted. However, the new government controller, Nerges, discovers that this is sophisticated sabotage by which representatives of American industrial circles want to disrupt socialist construction in the country. With the help of Hungarian state security officers, Nergesz uncovers and neutralizes the saboteurs at the mine and hastens the Hungarian people's decision to nationalize Makert.
This grotesque historical film is a caricature of the narrow-minded and careerist oligarchs of the 20s. A young military officer stops the young jurist from killing himself and recommends him to his commander, lieutenant-colonel Doborján as a typist.
Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.