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Unable to conceive, an Indonesian couple attempt artificial insemination but are given Japanese sperm. The result angers the father, who has a hard time accepting the baby as his own.
To save her daughter, Fatima agrees to be sent to Malaya to work as a sex slave for Japanese soldiers. There, she joins with the resistance to help destroy a Japanese base, but finds herself taken prisoner and turned into a sex slave a second time after being captured by Dutch Indies officers.
Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.
Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.
The biography of the Indonesian women's emancipatist, R.A. Kartini, based on her letters.
Intertwined stories of Joko, a boxer, and Rum, the daughter of a general.
A rare film that was censored for many years, the story featured protesting university students in the process of self-discovery.
Adapted from Achdiat Kartamihardja's novel of the same name. It follows a young Muslim man named Hasan who, through his interactions with others, loses his faith.
Ganjar and Retno plan to marry, but this fails. Then with Inten, Retno looking for jobs but they are trapped by Joko. Retno realises she is going to be used by him and manages to escape.
A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.