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A European teenager ran away from home to marry a Daesh fighter. She became a bride of the Jihad. Three years later, her life has dramatically changed. She is living in an Iraqi prison camp. Now she has two children to take care of and is pregnant again. She is a 20-year-old widow and soon will be put on trial in the Iraqi courts. What have the experiences of war and brainwashing done to her?
A poignant personal story. Do we want to know it? Sérgio tries to understand the troubled past of his mother, Fleurette, 79 years old. Notwithstanding her resistance to his questions, little by little, throughout the film she reveals almost another life where love is closely related to politics. From occupied France and Nazi Germany to the Brazilian dictatorship and the Portuguese revolution.bright and powerful speech magnetizes the audience.
Elderly people gather every day in the romantic gardens of the Palácio do Catete, which was the official residence of the presidents of Brazil from 1867 to 1960, and today houses the Museum of the Republic. When the sun came down, they talked about the meaning of life and sang love songs together. The film was suddenly interrupted by the coronavirus pandemic and turned into a tribute to a decimated generation.
Maria, a Ukrainian doctor, comes to Portugal to spend a year with Greco, her husband who is also a doctor. Upon arrival at Faro airport she is the only person from Kiev approached by agents of Immigration and Customs that lead her to a room of interrogation, without any explanations. All this occurs because the authorities suspect that something illegal should be behind her trip, since she is from Eastern Europe and her husband is Senegalese.
Alentejo, Portugal, 1950. In a desolate region, where the wind seems to speak, where misery and hunger reign over poorest, a desperate man takes his revenge on those who caused his ruin during the darkest night, unable to get honestly the bread needed to feed his family in the daylight.
Present, past and future merge in the wagons of a train that crosses Eastern Europe in the XXI century: Poland, Russia, Ukraine. The slogan of the post-war "Never Again" sounds now like a fairy tale. Everything is happening again. Everywhere.
The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.
Lisboners (people of Lisbon) celebrates the ancient notion of citizenship, the right to the city in the making, in each migrant’s daily life, living and working. It is set in Lisbon but it happens in London, New York, Paris, Rome… anywhere. The Lisboners are people from Brazil, Guiné-Bissau, Nigeria, China, Pakistan, India and Bangladesh, Ukraine, Moldavia, Russia, and Estonia.
Every week there are several marriages on The City of Dead. The parties are amazing that last several days - always in the graveyard. They start in a morning with the ceremony that makes the mattress of the grooms and displays the trousseau. A few days later the process culminates in a raucous party (with professional musicians or DJs), often abundantly filled with alcohol, with high consumption of hashish ... and bills flying.
The City of the Dead, in Cairo, is the biggest necropolis in the world. One million inhabitants live there: in the tomb houses or in the buildings that have grown up around the tombs. We can find bakeries, coffee shops, markets, school for the children, mechanics for the cars. Everything inside the cemetery. The City of the Dead is gigantic but it feels like a small village. Mothers want to marry their daughters, boys keep chasing the girls. These things never change. It doesn't matter if you live in a big city, in a village or in a cemetery.