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Trigrad is a remote village in the Julian Alps, where the main wealth is the forest. Wood is not only the foundation of the wood industry, on which the well-being of the village depends, but it also has a higher significance. It is a place where mysterious and sacred powers hide. In this mystical environment, we follow the story of the main protagonist Crt, who left his native mountain village as a child and returned after many years of absence as a successful architect to sell the forest he inherited from his late father. On his return, the main character encounters unusual events, and the line between reality and imagination is increasingly blurred. With the new findings, it faces a key dilemma, namely whether to sell the forest or not.
Ana and Lars are spending their summer holiday on an island in the Adriatic sea. It seems like paradise, until an unexpected encounter puts their relationship to the test, forcing them to re-evaluate what they really want from each other.
In this black comedy drama, we meet a seemingly perfect family consisting of Olivia, Alexander and their daughter Agata. With the arrival of 25-year-old Julian in their home, their lives are turned upside down and their dysfunctional relationships are revealed. Redemption through humour explores the theme of emotionally drained elites and places it in the context of contemporary social issues.
Seventeen-year-old Iva is in the process of coming to terms with the death of her mother. Influenced by this deep personal loss and by the discovery that she didn't know everything about her mother, she slowly immerses herself into a strange, almost dreamlike world far from reality...
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.
In 1948, in the fragile post‑war countryside of socialist Yugoslavia, Marjeta gives birth to twins, Metod and Cilka. Withdrawn and volatile, Metod grows up in near isolation, shaped by a suffocating bond with his mother and a world marked by violence and repression. His impulsive behavior brings him into repeated conflict with society and the law, eventually leading to psychiatric treatment. After returning home and taking a job as a warehouseman, he appears outwardly stable, but inwardly deteriorates under the weight of alcohol, hallucinations, and relentless inner turmoil — until one night, the monster he has long concealed finally emerges.
Two crooks looking to scam tourists organize a tour of an abandoned manor house rumored to be haunted by the cousin of Count Dracula. Their first group consist of a Swedish Satanist, two French goths and a Russian porn director. But the scam descends into bloody chaos when the tour is attacked by a Nazi cannibal wielding a circular saw.
After his wife's death a middle-aged man and his friends become increasingly agitated and violent towards the suburbs they inhabit.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.