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Three stories. A middle-aged man remembering his childhood, a couple living in a ghostly world, and a parody of filmmaking.
A young man inherits a broken down estate at the edge of the Peruvian desert, with no explanation about the former owners or what had become of the once thriving house.
A young couple forsakes their urban existence for life in the exciting but dangerous Peruvian jungle.
Robles Godoy narrates the childhood of his father Daniel Alomía Robles and the birth of his melody "El cóndor pasa".
A man returns to a hacienda, lost in time and history, where, as a child or teenager, in his budding career as a writer, he left a typewriter stored away as a symbolic object. He goes to find it and unearth it. A return to the lost childhood in which his first creative impulses took root.
The broadcast of a Peruvian national football team match, part of the World Cup qualifiers, transforms the bustling streets of Lima into empty, desolate, ghostly spaces. A sonic counterpoint of the shouts of the crowd, the chants of supporters, the announcers in the middle of the broadcast, etc., speaks of a city suspended in its daily routine by a sporting event.
Life and work of the composer Daniel Alomía Robles (1871-1942).
Series of educational short films on cinematographic language made up of: - "The movement" - "The light" - "The noises" - "Music" - "Continuity"
Short documentary film (1971) Directed by Armando Robles Godoy about the Kuna Indians of Panama.
A young man from Lima with a dissipated life will receive an inheritance, but a testamentary clause imposes a condition: he must travel all over Peru. He starts a long journey of two years which takes him through all the regions of the country. He observes agriculture, industry, mining, retail and gets to know the many ways in which his compatriots earn their living.