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An actress and her director are filming a movie. Through various texts ranging from monologues by Brecht and Joyce to tango songs by Libertad Lamarque, the film reflects on actors and acting in cinema.
A film about the Argentine opera
In times of dictatorship Argentina (1977), a young journalist suffers attacks of paranoia when he discovers suspicious persons , which could be paramilitaries in front of his building. Backdrop the last matches of World Cup 1978 Argentina live.
Isolated in his apartment, old and forgotten by almost everyone —whom, in turn, he has also forgotten— Rafael occupies the hours of his daily life with various rituals and repetitions.
Argentine helmer Rafael Filipelli's understated and deliberate, slice-of-life drama Night Music (AKA Musica Nocturna, 2007) unfurls over the course of four evenings, with its depiction of an emotionally-strained marriage between husband and wife Federico (Enrique Pineyro) and Cecilia (Silvia Arazi), which Filipelli sets against the backdrop of semi-vacant, nocturnal Buenos Aires. He is a music critic pushing 50 and grappling with the completion of his first book; she is a playwright, in rehearsals for a major new production. Both have hit an emotional lull in their marriage that inspires each to coolly flirt with infidelity. As Federico flirts dangerously with the theatrical director's assistant, Cecilia reconnects at length with a past acquaintance, belletrist Sergio (Horacio Acosta), who may or may not have been amorously involved with Cecilia at one time.
An Argentinian intelligence agent goes undercover in the Jewish community to gather information, unwittingly preparing the ground for anti-Semitic terrorist attacks. Years later, he decides to bring the truth to light.
An iconic bon vivant, who barely has enough resources to maintain his affluent lifestyle, hires a young woman from Paraguay to replace the recently deceased maid who took care of him for more than 40 years.