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During her holiday in Brest, a young Parisian falls in love with a sailor. But autumn comes and the two lovers have to part. They write to each other. Will their love resist at a distance, each living his life, him in Brest with his friends, she in Paris who keeps waiting for him? An impossible love story and the cross-portrait of two cities, Paris and Brest, between the realism of the color images and the poetry infused by the sepia black and white images, lives to the rhythm of the nostalgia of the two lovers...
Karl, a young killer is to kill Kate, an adventurous lady living in a mansion by a lake. He approaches her but fails to kill her. Instead, he falls in love and becomes her lover ...
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
A day in Aurillac on a rainy Sunday.
The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.
A father tells his story to his eight-year-old son. Pictures of his past in Algeria come back in flashback : Bab El Oued, la Madrague, Sidi Ferruch, Chenoua, Tipasa, Oran, Constantine, Candle , the Kabylie, the light, the noises, the music, the events, the last hopes.
In the Saint-Lazare metro and station, a young man dreams of getting away from the dullness and everyday life. Colored snapshots of postcards, metro stations or signs, symbolizing distant destinations, mingle with black and white images of reality in a sort of invitation to travel.
This film was broadcast on La Sept in October 1990 as a part of Hélène Mochiri's Cinéma de poche program devoted to Soviet cinema. The documentary was produced in-house at La Sept and based on an exclusive interview with Alexei Guerman in May of that year. It has not been seen since.