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Farhad tells the story of his life to a psychiatrist. In the time of the Iran-Iraq War, Farhad is arrested and charged with illegal migration. When he is freed years later, he goes to his old love, Mahtab. Through conversations with his psychoanalyst and interrogations with the police, Farhad reveals the story of his life.
The short story of my boats, Leila Hatami and Ali Mosafa, are its main characters, regarding the fact that Aunt Jan Puri died and Farhad, who had been away from Iran for many years, returned to Iran and Remembers his memories with Mary and ...
A documentary exploring the portrayal of women in Iranian advertising, from their presence before the 1979 Revolution to their transformation and erasure in the years that followed.
A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.
Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.
The movie chronicles the life of the famous painter Kamololmolk, and his relationship with various kings.
The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.
A 17 year old finds out that his girlfriend is dying, so he sets out to give her an entire life, in the last year she has left.
A car accident and shifting affections test the bond between a married couple.