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A dancer stops speaking to be a "voice" for silent people. Meeting an old artist, she faces her trauma of her mother's disappearance.
Rachel and her two friends explore an abandoned railway track that runs through a dense forest, but an unforeseen incident brings their little adventure to an abrupt end. Elsewhere, 26-year-old Rachel rekindles an old friendship with a high school friend. When a little boy from her past reappears, Rachel finds herself retracing a trail of iron and wood. Wistful and mysterious, the film depicts a world littered with incongruity, absences and traces of childhood dreams.
An old female voice narrates memories of growing up in a Singapore that no longer exists, the passing of a generation and her acceptance of death; deep into the night, mechanical fans rotate to the rhythm of passing wind, a mourner accompanied by restless phantoms and a lonely moth perched upon the yellow funeral tent; together they welcome the silent light of daybreak.
Lost while visiting the graves of his ancestors, the protagonist finds his future self. Together, they embark on a journey of retracing the places their family would visit during the Qing Ming festival of tomb-sweeping. Inspired by the poetry and in memory of Yeng Pway Ngon (1947–2021).
Two women recollect the sounds and images from places in their collective memories in this evocative dance-inspired film.
The Age of Revelation tells the tale of a mythic figure who wanders through the world and observes the slowly growing disconnection between humanity, nature, and humanity’s innate spirituality. A sound-film collaboration between SAtheCollective and filmmaker Liao Jiekai as part of an artist commission by the Singapore Chinese Cultural Centre, this film features choreography by performance artist Effendy Ibrahim and participation by local performers and dance artists as the cast.
The Drawing Room & Episodes from Art Studio is a filmic exploration of the text, characters and narratives from Yeng Pway Ngon’s novel, Art Studio. The film meditates on the practice of life drawing, and moves from the snug art studio to the wide corridors of the newly opened National Gallery Singapore. Chapters of Singapore Modern Art adorn the freshly painted walls of the gallery, and conjure stories of the passing generation portrayed in Yeng’s Art Studio.
In Before the Wedlock House, the bride allows filmmaker Liao Jiekai to follow her in close lengths documenting her pre-dawn conversations with her make-up artist and the early birds in her wedding entourage. In conversational chapters, we learn about the relationships between her, the filmmaker and the greater environment that surrounds them.
Jin is a soldier who questions why he is serving mandatory military service. Yun is a teenage girl who struggles to get along with her foster mother. Their paths cross.
Featuring five short stories of the reflections, interpretations and perspectives as our Singaporean filmmakers go on a journey in search of their cultural roots and how they make Singapore home, the omnibus seamlessly weaves the past and present as generations seek to understand, appreciate, preserve and pass on our heritage.