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In the summer of 1967, journalist Katharina is visited in Munich by her French friend Anne. They take day trips and visit cafés, acquaintances, and parties. In a series of conversations between them and other women, they talk about the chances for female emancipation in a male-dominated society.
Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character. In a long nighttime discussion the friends try to clear up these differences - not without some glimmer of hope.
Eleven-year old Jason and his companions, including Hercules and Orpheus, go with the ship "Argo" in the search for the Golden Fleece. With wit and cunning to overcome various obstacles until they reach the destination of their fantastic journey. The experiment is not only due to the popularization or naive glorification of a myth, but the search space occupied by fact that the heroes of antiquity were actually very young.
‘The films I make have to get made, because when these people are dead they’re dead and all we’ll have left are Gestapo records, the records of the perpetrators. We can’t accept that.’ This quote graces the beginning of Katrin Seybold’s last film which was finished by her long-standing friend and colleague Ula Stöckl following Seybold’s death on 27 June, 2012.
Angela and Robert have been married for ten years and make a perfect couple. They are madly in love with each other, give each other plenty of space and support each other in everyday life. This idyll is put to the test when Robert's girlfriend Claudia moves in with the couple and Angela falls in love with another man. According to a mutual agreement between Angela and Robert, anything goes if one of them breaks their promise never to leave the other.
Is life like the fairy tale of Lucky Hans, who lost his lump of gold when he swapped the life he had, for what he thought was a better one?
Dea, gynecologist and scientist, and her colleagues have for the last few months been preparing a campaign against the local pharmaceutical industry. A campaign, which is linked to Dea's published findings concerning harmful side effects of the pill. For years Dea and her husband Rheinhard have been defending opposing sides as to the culpability of the company. Rheinhard, who is also a leading scientist like Dea, is a high-ranking employee of the concern. In the meantime Reinhard and Dea's 2 daughters have grown up. The daughter of the company's boss, Johanna, is Dea's assistant and Reinhard's lover.
Eva is a single freelance painter. She is in love with a married man. She pretends that she never waits for him, and if he suddenly turns up she acts as if she is surprised. In reality the unresolved relationship is making her so depressed that her work is the only thing that is saving her. In an attempt to break her addiction she enters into a relationship with another man. But the balance she is looking for eludes her, as now she has to choose between the two. But Eva can't: she wants to have an entire life, not part of one. In the form of a sort of filmic diary, Eva now attempts to sort out the puzzle, which is her life.
In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.