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The Commuters is a 1915 silent film comedy directed by George Fitzmaurice and starring Irene Fenwick in her film debut. It is based on a 1910 Broadway play, The Commuters, by James Forbes. A copy of the film is saved in the Library of Congress collection.
Spies on opposite sides fall in love in pre-revolutionary Russia.
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A starving, uncompromising artist and an heiress fall in love at first sight and immediately get married. She loves his outrageous behaviour, his strange roommate, and the best apartment poverty can buy.
Spendthrift Willie Hale again returns penniless to the family home in London. His father is none too pleased, but Willie smooth-talks him into letting him stay. At the same time he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arrival, was about to become engaged to a Russian aristocrat.
A woman and a man vying for a woman's affection: the usual love trio? Not quite so since the belle in question is Lorraine de Grissac, a very wealthy and alluring society woman, while one of the two rivals is none other than Arsène Lupin, the notorious jewel thief everybody thought dead, now living under the assumed name of René Farrand. As for the other suitor he is an American, a former F.B.I. sleuth turned private eye by the name of Steve Emerson. Steve not only suspects Farrand of being Lupin but when someone attempts to steal a precious emerald necklace from Lorraine's uncle, Count de Brissac, he is persuaded Lupin is the culprit. Is Emerson right or wrong? Which of the two men will win over Lorraine's heart?
After years of fighting off the advances of her old flame Steve, Lisbeth settles into a steamy, casual romance with journalist Alan. Against the advice of her happily married aunt Celia -- who encourages her to demand a serious commitment -- Lisbeth continues to see Alan, even after she hears he may have a wife in France. When Alan's work sends him abroad, a lovesick Lisbeth struggles to understand her feelings.
Bar entertainer Zara is a discontented alcoholic who is pursued by many men but lives with novelist Carl Salter. One day, Tony shows up on Salter's estate claiming that Zara is actually Maria, the wife of his close friend Bruno, claiming that her memory was destroyed during World War I. Zara doesn't remember but leaves with Tony to Salter's dismay. Bruno, now an officer in the Italian Army, tries to coax Maria's memory back on his large estate. No one is really sure if Zara is Maria, and when Salter shows up with a mental case from Trieste that he claims is the real Maria, everyone on Bruno's estate is desperately searching for the truth.