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British Egyptologist Professor Morlant seeks immortality through a jewel buried in the tomb of an Oriental idol. Upon his death, Morlant returns to Earth to seek vengeance upon those who removed the jewel from his grave.
Racehorse owner Anson is swindled by a woman named Wenda and goes up in front of the Jockey Club where he is disqualified on race fixing allegations. He decides to get his own back with the help of Hillcott, an ex-burglar. Jill is the love interest
In attempting to develop a chemical which would make a person super-intelligent, Dr. Montrose fails and the subjects of his experiments metamorphose into hideous monsters who band together and prey on humans. With the police stymied, a young detective attempts to track down the leader of the group of killers, known only to have a small crimson stain in one eye.
Adapted from a novel by Larry Evans, Once to Every Man tells the tales of Danny Bolton, a pugnacious, hard-drinking country boy.
A story of treachery and intrigue, with the outcome of the story contingent upon a packet of "secret papers."
A young woman goes to stay at the house of Lord Lebanon, but two murders in quick succession lead to the arrival of detectives and cause the woman to fear for her life.
When Barton Baynes's mother and father die, his Aunt Deel and Uncle Peabody provide a home for him. He grows up with Amos Grimshaw, son of a miserly moneylender who holds the farmers of the area in his power, and falls in love with Sally Dunkelberg.
Adventures of Kitty Cobb was adapted from a series of newspaper cartoons drawn by James Montgomery Flagg (of "Uncle Sam Wants YOU!" fame) for the New York World. Kitty Cobb is a Long Island lass who heads to New York City in hopes of landing a handsome inventor for her husband.
Modeled after a popular collection of stories known as "Brother Gardener's Lime Kiln Club," the plot features three suitors vying to win the hand of the local beauty. Filmed in 1913, but after considerable footage was shot, the film was abandoned. One hundred years later, the seven reels of untitled and unassembled footage were discovered in the film vaults of the Museum of Modern Art, and are now believed to constitute the earliest surviving feature film starring black actors.