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As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.
Rosa is about to turn 45 and realises that she's always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
In the year 2000, Nevenka Fernández, 24 years old, Councilor for Finance in the Ponferrada City Council, suffered relentless persecution, both sentimental and professional, by the mayor, a man accustomed to doing his will politically and personally. She never decides to report, although she knows that she will have to pay a very high price: her environment does not support her, the society of Ponferrada turns its back on her and the media subjects her to a public trial. A story inspired by real events that turns its protagonist into a pioneer by taking an influential and popular politician to court for sexual and workplace harassment for the first time.
Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
In the year 2000, Maixabel Lasa’s husband, Juan Maria Jauregi, was killed by ETA. Eleven years later, she receives an incredible request: one of the men who killed Juan wants to meet with her in the Nanclares de la Oca prison in Araba (Spain), where he is serving his sentence after breaking ties with the terrorist group. Despite her reservations and her immense pain, Maixabel Lasa agrees to meet face to face with those who ended the life of the person who had been her companion since she was 16 years old. ‘Everyone deserves a second chance’, she said, when asked why she was willing to confront the man who killed her husband.
Nina is a 20 years old girl from Valladolid who lives with her divorced father, an autoritarian and conservative man. Trini is of the same age and has lost her mother. For both Valladolid and their families have nothing to offer and therefore they go on a risky voyage to the Costa del Sol at the south of Spain.
Private detectives Inés, Eva, and Carmen often invade others' privacy but are clueless about confronting their own secrets. While on the job, these three surveillance specialists will have to cross the thin line dividing public and private matters, bringing their own issues to light in order to solve more than just their professional cases.
The two million Spanish women who are victims of domestic violence and the death each week of a woman at the hands of her partner is not fiction but pure reality.