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The Count of Monte Cristo was a 1956 ITC Entertainment/TPA television series adapted very loosely from the novel by Alexandre Dumas, adapted by Sidney Marshall. It premiered in the UK in early 1956 and ran for 39 thirty-minute episodes. The first twelve episodes were filmed in the United States, at the Hal Roach studios, with the rest being filmed at ITC's traditional home of Elstree. A 5-disc DVD set containing all thirty-nine episodes was released by Network Studio on 12 April 2010. ITC produced a film based on the same source-material, The Count of Monte-Cristo, in 1975.
A half-hour 1950s detective television series that took different forms and titles during its run. From October 1951 to June 1954, ABC Mystery Theater stars Tom Conway as the titular character, a plainclothes English detective working with the NYPD Homicide Division. The Vise (seasons 1–4): Donald Gray portrays Saber as a one-armed private detective based in London. Broadcast on ABC from October 1954 to June 1957. Saber of London (seasons 5–7): Gray reprises his role in this final iteration, broadcast on NBC from September 1957 to May 1960.
The adventures of Interpol policemen Duval and Mornay as they fought against international drug-running, homicide, robbery and forgery.
Ivanhoe is a British television series first shown on ITV in 1958-59. The show features Roger Moore in his first starring role, as Sir Wilfred of Ivanhoe, in a series of adventures aimed at a children's audience. The characters were drawn loosely from Sir Walter Scott's 1819 novel.
The second collection of short stories written by Baroness Orczy about the gallant English hero, the Scarlet Pimpernel and his League.
After the battle of Worcester at the end of the Civil War, the main aim of Oliver Cromwell's Commonwealth is to capture Charles Stuart. The future king's escape depends on the intrepid Earl of Dawlish, who as the Moonraker has already spirited away many Royalists. Dawlish travels to the Windwhistle Inn on the south coast to prepare the escape, where he meets Anne Wyndham, the fiancée of a top Roundhead colonel.
A featureless land fit only for war, as the narrator, J. L. Hodson stated in the early scenes: "If war was to be fought then let it begin here". In endless miles of rock-strewn scrub desert, where civilians hardly existed. Desert Victory tells the story of the Allied campaign to drive Germany and Italy from North Africa is analysed, with the major portion of the film examining the battles at El Alamein, including some re-enactment. Won "Best Documentary Feature" at the 16th Academy Awards in 1944.
Set in Claverly Village, it follows the fortunes of the Rookebys (Clements) and the ne'r-do-well Appleyards (Williams) from the time of the Normans, 1588, 1804, 1914, and 1940. Made to support morale during the war, its message is basically that you can't suppress the British; they've been there since the beginning; they'll be there to the end.
Sent to a home for "problem" girls, incipient juvenile delinquent Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.
Eight people at a remote Scottish inn find themselves confronted by a woman from Mars, who has landed her flying saucer for repairs but intends to soon conquer the Earth and enslave its men for breeding purposes.