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A small town in the Philippines is turned upside down by the arrival of a film crew that has everyone excited. Meanwhile, 13-year-old Lukas finds his own world overturned when he is told that his father is a tikbalang (half horse, half man). His father’s disappearance leaves Lukas to try to unravel the mystery of his own heritage and his own nature.
A grieving detective finds himself increasingly ensnared while investigating a case involving a sinister navigation app causing physical and psychological debris.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
Rooted in Filipino realities – both concrete and cinematically reimagined – John Torres’ meticulous yet generous approach is a synthesis of the personal and the political. Assembling fragments of discordant images and murmuring voices, this inventive parable creates a present that appears alien and a future that feels familiar.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Black-and-white sequence of contemporary urban life, jittery images recorded by a 1940s motion-picture camera, and a sleepy narration of words, written by Filipino poet and singer Lourd De Veyra.
Filmmaker John Torres describes his childhood and discusses his father's infidelities.
A young lady recovers something from a recycle bin. He is brought back to life. She sleeps. He sees his future in her through photographs from her past.
John Torres repurposes documentary footage captured from the sets of various Filipino productions (including the likes of Lav Diaz and Erik Matti) into an eerie, elliptical sci-fi narrative about human avatars controlled by apps.
The unfinished movie of the late Celso Ad Castillo now a Cinema One Originals documentary film.