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Taking his camera and microphone to the heart of the megalopolis of Japan, the director combines scenes of the Tokyo with on-screen commentary and questions to articulate his vision of a city or to ask questions about it in spite of an audience which may think the questions are already answered and need not be asked or commented on.
Tsugumi, who lives in a small seaside town, has been in delicate health from birth. Her parents spoiled her and she is rough and selfish. However, a few people are attracted by her beauty and unique character.
Living in an old Tokyo district, Kenichi works at a second-hand bookshop to support his sister, Yoko, a high school student. When Yoko graduates, she starts work at a photo shop. By the time, Kenichi's girlfriend has decided to marry someone else as she is tired of waiting for him. When Yoko starts dating Kenichi's best friend, Makoto , he is strangely resentful, but when Makoto is involved in a fatal accident, brother and sister resume their routine life.
Juri, an elementary school girl, loses sight of her true self while acting out a false self to play along with her friends. Kanako, a classmate who used to be the popular girl but has been bullied lately, tells Juri that the girl she is now is not her true self, and Juri sympathizes.
Director Jun Ichikawa spins this affectionate portrait of the people who populate Shimokitazawa, a bohemian corner of Tokyo filled with small theater companies and smoky coffeehouses.
An anthology exploring the meaning of the Japanese greeting goaisatsu.