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Two sisters, Iqbal and Sharifa, battle for control of a kingdom. Iqbal wins, persecuting Sharifa, who is supported by Iqbal's husband. When Iqbal captures her brother-in-law, he stands firm in his ideals. The treacherous general's daughter, Bano, champions a pacifist campaign after losing her lover. With the help of the adventurous Nadia and Parsee Charlie, disguised as dancers, they infiltrate the enemy.
Kind sweet girl living with her family and her parents had an arranged marriage with a kind and brave man- who fights against injustice and together they fell in love after their marriage- but an evil kingpin causes a threat to his life and she sets on a deadly path of revenge against evil- without knowing the danger, leading to consequences.
Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.
Bag-e-Misar follows a tussle between royalty across Damascus and Misar (in present day Iran)
Shyam (Feroz Khan) falls in love with the face on a painting, painted by his best friend Ishrat. He finds the girl and convince her father to marry her. Brings back the girl to town and then the two love triangle starts.
Ramanan and Madanan are the two shepherds who are bosom pals. Meek and handsome, Ramanan used to sing and play the flute as he led the flock to the pastures Chandrika , the daughter of the wealthy Advocate Peshkar gets fascinated by the charming shepherd with the sweet voice. Madanan warns Ramanan about the treacherous ways of the wealthy and advises him to keep away from Chandrika. But Ramanan is blinded by his love for Chandrika.
In this stunt-film, Hero Samar (Jairaj) singlehandedly takes on the might of the oppressive state led by the warlord chief (M. Zahoor). He falls in love with the chief's sister Ila (Mehtab) and fights his revolution from the tavern of Dulari (Shirin) with little more than a band of adventurers, a leatherface mask, his faithful dog Tiger, and his horse Bahadur.
An orphaned boy from a fishing village, adopted and educated by a wealthy family, must choose between his sophisticated wife and a new love in his rural birthplace as he dedicates his life to uplifting his long-lost community.
A. R. Kardar’s Pooja tells a disturbing story of two estranged sisters whose lives are fractured by a violent act of revenge and years of buried truths.
The story is of a family consisting of a mother and her five sons. A relative causes discord. The mother argues they need to stay united like the walls of a room to avoid collapse.