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A reflection on human life in all its beauty and cruelty, its splendor and banality, guided by a Scheherazade-esque narrator. Inconsequential moments have the same significance as historical events. Simultaneously an ode and a lament, presents a kaleidoscope of all that is eternally human, an infinite story of the vulnerability of existence.
A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.
An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.
A collection of short films by 16 European directors.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
A collection of short films by 16 European directors.
PECIAL FEATURES: 2-DVD Set, Booklet, Box Set, Interactive Menu, Scene Access, SYNOPSIS: World of Glory (1991) Something Happened (1987) A film that attempts to analyse the facts and fictions surrounding the discovery and eventual epidemic of the AIDS virus, Saturday October 5th (1969) A black and white 1960s urban drama about the day a young Swedish man spends with his girlfriend, and anxiety's intrusion upon it. To Fetch a Bike (1968) A moving colour film that in somewhat sketchy scenes describes the morning activities of a tentative young pair of lovers. Visiting One's Son (1967) The storyline is about a son's father (Lars Karlsteen) and mother (Maud Backeus) who come to visit him (Peter Egge) and his girlfriend (Kajsa Wilund) for the first time. ..Roy Andersson Collection (5 Films) - 2-DVD Box Set
As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.
The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.
In a minor town the morose manager is primarily responsible for the bad atmosphere of a restaurant. But central for the plot are three persons: a male waiter who is never named (here called W), the female waiter Anna, and "the count", a self-invented nickname by a man cleaning plates. The count is skilled in making others do what he wants. Half a dozen of the personnel assist in a poorly planned and failed attempt to liberate a man whom the police move from one arrest to another. The event involves stealing a motorcycle and threatening policemen with a gun. Anna strongly tries to make contact with W. Finally it turns out that she need his help to break her sexual relation to the count, a relation that from her part is not motivated by positive feelings. W rejects her attempts. And then Anna has suddenly gone. She has got a pleasant job in another town. And then W's feelings awaken.