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In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.
Georges Bernier, alias Professor Choron, died January 10, 2005. He was 75 years old. The few death notices that appeared in the French press mainly focused on the scatological nature of his humor, or on the good man's provocative side. No one recalled the essential, which was that with his passing not only had one of the great proprietors of the French press disappeared, but he'd taken with him an artist in his own right, quite unique in his own way : Professor Choron.
The french mainstream media ignored the last visit in Paris of the leftist Ecuadorian President Rafael Correa. It's however this small country of Latin America, Equator, that serves as a model for Greek activists who are taking part in Syriza party or for non-orthodox economists from the spanish movement Podemos in order to solve the issue concerning the public debt. The Correa government declared a part of this debt « illegitimate » to implement public investment, and social inequalities reduction policies.
Georges Ibrahim Abdallah, a pro-Palestinian communist resistance fighter, is France's longest-serving political prisoner. Incarcerated for 40 years, he remains a symbol. He was suspected of being behind the attacks that sowed chaos in 1980s Paris and was convicted of murdering two diplomats. In the film *The Abdallah Affair*, which Pierre Carles dedicates to him, we discover a deeply troubling story: a country choosing an ideal scapegoat. An incredible piece of fake news and intense pressure exerted by the United States on France are at the root of this extraordinary length of detention. The official media machine went into overdrive, serving a national interest, blind and deaf to all the ambiguities of this case, which this documentary exposes. Georges Abdallah was imprisoned in France for nearly 41 years. Wrongfully. At 74, he managed to leave prison, standing tall, his political convictions intact.
Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.
The former shepherd, Jean Lassalle, decides to run in the presidential election. Neither one nor two, Pierre Carles and Philippe Lespinasse, two filmmakers labeled left, but a bit politically lost, decide to take action: They proclaim themselves his campaign advisers, with the secret ambition to reveal his true nature, that of an anti capitalist revolutionary, lost among the centrists for 30 years.
On April 2, 1995, the television channel Canal+ censored the documentary "Pas vu à la télé" (Not Seen on TV), directed by Pierre Carles, which had been commissioned a few weeks earlier by the program director, Alain de Greef. "Pas vu à la télé" was slated to be featured in Canal+'s "TV Day" segment, under the heading "Television, Power, Morality." Carles recounted this censorship in the feature film "Pas vu pas pris" (Not Seen, Not Caught), released in theaters on November 18, 1998. It drew over 160,000 viewers. Eighteen years later, "Pas vu à la télé" remains unaired on French television. As for "Pas vu, pas pris," it has still not been broadcast on French television. However, it has been shown on television in Belgium, Quebec, and Switzerland. Since then, nine billionaires now control more than 80% of the media in France, while eleven of them account for 57% of the television audience.
The roundabout in Aimargues is one of the first emblematic places of the Yellow Vests’ movement, the symbol of an outlier France. The story of this mobilisation is told through nothing more than the images they shot with their mobile phones.
Since 2007 in Ecuador, Rafael Correa's government has refused to pay a part of the public debt, recovered sovereignty over the country's natural resources, defying multinationals. Thanks to redistribution policies, poverty and inequality have been greatly reduced while the middle class has doubled in eight years. Wildly enthusiastic, Pierre Carles, Nina Faure, and their team land in this new Eldorado. But upon their arrival, the populace takes to the streets, in a state of unrest. By traveling throughout this country in turmoil, our two directors learn different, sometimes conflicting lessons : one would like for Correa to come and straighten out France, the other questions the need for a 'right man for the job' kind of leader.