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Cast and crew offer up a nice overview piece, discussing the picture's authenticity, real life in the time of "Boyz n the Hood," the parallels between Singleton's real life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.
An exploration of the history of the word throughout its inception to present day. Woven into the narrative are poetry, music, and commentary from celebrities about their personal experiences with the word and their viewpoints. Each perspective is unique, as is each experience... some are much more comfortable with the word than others.
Black Church, Inc. is an investigative documentary that examines the excess of the black church and its present day relationship with serving the community. The documentary compares the black church's origins to its modern day cultural relevance. The film focuses on modern mega-churches and asks questions about service vs. the extravagant lifestyles of its million dollar ministers and ministries.
Here's a little story they're about to tell... Mike Diamond and Adam Horovitz share the story of their band and 40 years of friendship in a live documentary experience directed by friend, collaborator, and their former grandfather, Spike Jonze.
A revealing, edgy, and disarmingly personal journey into the world of superfandom, told through the lens of one of the world's most iconic and enduring artists, Eminem, and the fans that worship him.
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.