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His grace, the Lord Chamberlain and Colonel Baron Roger Bernhusen de Sars of Rogershus, Klockeberga and Björkenäs, will celebrate his 70th birthday. He decides to write his will and publish it on the birthday.
A woman flees to avoid rumors of promiscuity, but is trailed by a reporter who wants to expose her dark past.
The Stockholm publisher Adam, a wealthy gentleman with a favorable appearance, has completely undeservedly gained a reputation for being a great Don Juan. Women of all ages are drawn to him and give him their invitations. To be at peace, Adam escapes on his sailboat out into the archipelago and settles down on a small islet. But the ladies follow him and in their footsteps follow jealous fiancés and angry courting cavaliers.
In a small town anonymous letters are delivered to five different families. The letters are signed "Veritas" (Truth). They tell of a series of events and conditions that the recipients thought was forgotten and buried long ago.
A collective of office girls and their tribulations in the male world, female solidarity, the place of women in the labor and civil rights struggles and the conflict between love and work.
The old man, Carl-Henrik de Grévy, left his family many years ago, when the stock market collapsed. His sister Louise believes that he is dead and wants to get control of her brother's property, being the sole inheritor. The Sneijder's live on one of the old man's manors. They have also lost their money but as a sign of friendship he promised them before he left that they will stay there for as long as they live. Louise and her 'creative' lawyer is trying to find a way to get rid of the Sneijder's. It seems as if the only hope they have is that the old man returns.
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.
A woman searches for the child she gave up at birth.
At the end of the middle ages, Ursula is accused of having poisoned her own husband. She claims she is innocent, but to prove it, she must submit to a ritual: trial by fire, walking on fire along a path leading directly to a crucifix. A film that has been much commended for the visual creativity shown by the director in successive blending in of images involving Ursula, her husband, the Virgin Mary, and Jesus Christ. Much applauded, also: the performance of Jenny Hasselqvist, thus described by French director René Clair: “We shall never forget her flaming eyes, the severity of her spirit, her abrupt and alarmed expressions, like an animal under threat.”