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While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.
Telenovela in six chapters adapted from the original screenplay by Gabriel García Marquez, directed by Ruy Guerra and shot in Cuba in 1991.
Orestes, a rich factory owner, falls for the beautiful Fulvia. They communicate using pigeons, to avoid being discovered by her husband.
Carlos is a man doomed by restless memories, that meets with himself, in a time warp. Young Carlos faces the forgetfulness of old Carlos, who doesn't recognize his own appearance. They get a package. But the package seems odd. The knot that ties, the smell, the handwriting on the envelope: this could only be sent by his father, Ernesto, who has been dead for many years. A father who always created unusual situations. In this time warp, Carlos is split in two: one Carlos remembers and the other forgets the moments he spent with his father.
An ornithologist goes on a field trip to a deserted island near the mainland with his wife and small son, and is joined by the wife's sister, who is getting over an abortion; later, an escaped convict is discovered. A situation which may seem naturalistic enough, but the form never is: incidents are isolated, cross-relations are oblique, emotions are unexplained.
This epic Brazilian film was based on the equally epic novel by Antonio Callado. Set between 1954 and 1964, the film's focus is the saga of Jesuit priest Nando. Fed up with civilization, he ventures deep into Amazon country to live with and work among the Xingu Indians.
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."
An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
One man, two lovers: Ana and Anna, living in identical apartments. Paranoia is the name of the game in this hallucinatory.