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WHEN I AM 20 explores the relationship of a teenage couple, in which the girl works as a prostitute to help support her family.
In an old house in Hanoi, Bi, a 6-year-old child lives with his parents, his aunt and their cook. His favorite playgrounds are an ice factory and the wild grass along the river. After being absent for years, his grandfather, seriously ill, reappears and settles at their house. While Bi gets closer to his grandfather, his father tries to avoid any contact with his family. Every night, he gets drunk and goes and see his masseuse, for whom he feels a quiet strong desire. Bi's mother turns a blind eye on it. The aunt, still single, meets a 16-year-old young boy in the bus. Her attraction to him moves her deeply.
When they discover that they are pregnant, a young couple in Hanoi resort to desperate (and bizarre) measures to raise money for an abortion.
A Ho Chi Minh City-based chef charms a gorgeous stewardess with a special tofu dessert, but soon realises that they are incompatible.
Cynical British journalist Fowler falls in love with a young Vietnamese woman but is dismayed when a naïve U.S. official also begins vying for her attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy.
Set in 1985 post-war Vietnam, Khang moves to Saigon after securing a position to translate "The Little Prince." Due to his family connections, Khang's life under the new regime is secure. But everything changes when he meets Ky Nam, a reserved older widow who lives in Khang's new community.
Soon after her wedding, newlywed Duyen's excitement begins to fade as she realizes her young husband is not only naive but overly occupied by his job and doting mother. As her marriage goes unconsummated and her emotional isolation grows, she reaches out to her closest girlfriend, Cam, who secretly desires her, but pushes her into the arms of a dangerous and provocative suitor. The resulting infidelity puts Duyen in a precarious love triangle, challenging her notions of conventional relationships and also the stability of her new family.
A bankrupt director in need of money to make a dream movie is trying to find her Alzheimer's mother who has just disappeared after promising to sell a house and divide her assets.
Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.