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A short film about color identification.
Nutria are a large, odd looking rodent from Argentina that were imported to the United States. This is a short documentary about them.
A compilation disc in two parts. The first is a collection of 70s television ads called "What The 70s Really Looked Like", curated by Matt McCormick and Morgan Currie. The second part is called "70s Remix" (curated by Craig Baldwin and Noel Lawrence) which features a selection of art films that all make interventions on found footage from the 70s. These films include Matt McCormick's "The Vyrotonin Decision", Thad Povey's "Thine Inward-Looking Eyes", Tony Gault's "Not Too Much Remember", Damon Packard's "Toast 'ems", People Like Us's "We Edit Life" and Animal Charm's "Mark Roth".
Some Days are Better Than Others is a poetic, character-driven film that asks why the good times slip by so fast while the difficult times seem so sticky. The film explores ideas of abundance, emptiness, human connection and abandonment while observing an interweaving web of awkward characters who maintain hope by inventing their own forms of communication and self-fulfillment.
Three college students debate the validity of Santa Claus.
While the space and arms races are Cold War common knowledge, few know about the United States and Soviet Union's race to dig the deepest hole. This is particularly surprising since Hell may have been inadvertently discovered in the process.
A seven minute disaster epic created from early 70's scrap television commercials.
Buzz One Four chronicles the ill-fated flight of a Cold War B-52 Stratofortress loaded with two 3-4-megaton nuclear bombs that crashed 90 miles from Washington DC in 1961. Information suggests that detonation came closer than official reports indicated. The full details of the crash have remained classified and otherwise repressed by the Air Force, but the filmmaker, Portlander Matt McCormick, grew up with this story because the pilot was his grandfather. As McCormick recounts the history of the era, aspects of this crash, and other little-know nuclear-weapons accidents, he leaves us wondering if the U.S. was in greater danger of nuking itself than of being attacked by the Russians.
Here's a media-archaeological treasure trove of 16mm commercials, PSAs, and TV ephemera from that delirious decade of polyester and smiley faces. From the classic iconography of the Marlboro Man to the absurd pitches for Jack LaLanne's "Glamour Stretchers," this outrageously retro review of candy-colored clips offers more than campy fun. In fact, it allows us precious insight into a lost, impossibly innocent world of fondly remembered looks, styles, and attitudes, from way back in the good ol' 20th Century.
A collection of 190-second short films created in response to COVID-19, commissioned by filmmakers Usama Alshaibi and Adam Sekuler.