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Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.
A collection of five short stories by Hoshi Shinichi
A bizarre medical exam of a nude woman by several doctors and scientists reveals that their latest subject has committed suicide before giving birth to one of the mutant creatures they had placed within her body. So, an investigative crew of scientists (along with a large human mutant cyclops creature) heads out to the city streets to obtain a new donor/victim in the form of a young girl. Gore and Z-Grade mayhem ensue.
Furuchi and Hama are two unsuccessful repair agents and electronic engineers. One day Furichi finds a so-called Kotatsu heater. Soon after this Furichi dies in a traffic accident. But with the help of a stun gun succeed Hama Furichi bring back to life, but also Kotatsu heater comes alive then.
Teru Aoki (青木 輝) is on a train to Tokyo after a school trip. A disaster occurs which partially destroys the train and blocks a tunnel. When Teru awakes, he finds all his classmates and teachers are dead.
A pair of hard-boiled Tokyo cops are investigating a gruesome murder: after killing the victim, the murderer cut his skull open and cooked his brain in a stew. As they try to track down the killer, they discover that, quite literally, everybody is a suspect. Will they bring the terror to an end, or will they become part of it themselves?
Subaru is investigating the death of of a enemy, Kaneyama but before he died, he undertook a project, which was how to teach seven teenage girls how to use black magic to get revenge on people they don't like, but when one of the girls feels remorse, she is told by the other girls to continue with the black magic. Subaru tries to stop them but the girls think that he is their enemy and put a curse on him.
A Japanese Anthology
A landscape that has been filmed once is projected onto a screen and then filmed again. The re-shot screen changes with the sound of quick beats. An unremarkable local landscape. Roads stretching through rice paddies, clusters of telephone poles, wooden houses with large eaves. These landscapes are transformed into a blur of memory for the purpose of reshooting. The electrically produced noise-like acoustics and the sound of beating quislings beat the landscape out of the memory circuits of the brain. For a moment, a girl stands in front of a screen of landscape, and the landscape rotates around her. The whole work is more than an idea, including the composition in which the synthesis of a kind of screen process brings about change.