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The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
Carla, a young postal worker in Havana, spends her days postmarking thousands of letters and dreaming of the day when she can be reunited with her parents, who moved to Miami when she was fifteen. To fulfill her longing for intimacy, she opens random letters and rewrites them into lyrical prose, believing she is helping her fellow Cubans understand one another better. Beautifully filmed in black and white accented by brilliant colours, Nada+ has a stunning visual composition. With its delightful mix of visual humour, theatrical characters, satire and a lighthearted love story, it has a distinctly Cuban flair.
When a young man is killed in Central Park in La Habana, a series of coincidences reveals that many of the night walkers that hang around the park are related to the crime.
In a Havana public office, the charwoman discovers the sexual activities among the workers.
Various family members attend a wake in a crumbling national funeral home to grieve the loss of their eldest patriarch, a patriot and proponent for the Cuban communist revolution until his death.
Meet Chala, an eleven year-old boy with a hard life and strong respect for Carmela, his sixth grade teacher. The pair develops a solid bond, but after Carmela suffers an accident, things get complicated…
Located in deep Spain at the beginning of the 20th century, the work reveals a traditional society where violence and oppression against women is exercised even by women themselves in a mimetic replica of the model imposed by patriarchal society. The presentation goes from contemporaneity to the time with the character of Bernarda and returns to the contemporaneity with that of Adela, emphasizing what we must leave in the past and the freedom that we defend for our present.
The story of a young boy, Andres Pimienta, that is sent to the United States to be kept away from the bad influences, but returns 10 years later and meets his father, Bobby, an encounter that will change his destiny.
At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.
When Michael McCann is thrown over by the woman he loves, he becomes something of a misanthrope and a miser, spending all of his spare money on collectible gold coins. Living in the same town is an affluent family with two sons: John and Tanny. Tanny's a wild boy, whom John cannot control, and one night he breaks into McCann's house, and steals the gold and disappears, which nearly confirms McCann's distrust of mankind. But then, a mysterious young woman dies in the snow outside McCann's house, and her small daughter makes her way to McCann's house and into McCann's life and heart.