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Raphaël, a former paratrooper, is unable to adapt to the constraints of social life. One day, he becomes the unwilling accomplice of jewel thieves and falls in love with Electre, the mistress of Alaphène, their boss. Electre gives herself to Raphäel and incites him to run away with her. The couple tries to reach Monte-Carlo, where the diamonds are hidden, but they are chased by Federico, one of the gangsters who craves the loot as well...
Nightclub musician Sebastian, discovers one evening with surprise that he is supposedly the grandfather of a boy with the same name as him.
The vagaries of love are often tragic, as Amelie ou le Temps d'Aimer seems to say. Directed by Michel Drach in his second try at a feature-length film, the well-wrought romance revolves around the love that develops between Amelie (Marie-Jose Nat) and her cousin Alain (Jean Sorel). Amelie is an orphan who lives with Alain and his family on an island off the coast of France. Alain has dreams of working as a seaman, while Amelie works for Alain's father. The budding romance between the two takes a nose-dive when Alain falls for a glamorous actress who shows up on the island one day. Not mature enough yet to make a wise choice, Alain's betrayal of Amelie turns out to be a grievous mistake.
The eccentric Comtesse de Saint-Plâs sells a black Citroën DS to car dealer Paul Souflé. He sells it to the young mathematics teacher Jacques Denzac who is about to marry.
Lola, a young lawyer, is raising her little boy Bolivar, and sustains his family. Diagnosed with cancer, she decides to fight against this disease as it has always done in life with strength, determination, and above all with humor. In his fight, it is supported by Ferdinand, his fiery lover and naive who is a journalist. In the hospital, treated by Prof. Tobman, deeply human doctor, she met a group of women, all living with the same bad but each following a different social environment. This group will become his new "family".
When François' wife Cecile was leaving him because of his affairs with other women, she had an auto accident. In this drama, he makes uses of her amnesia to try to win her back and misleads her at every turn in her quest to recover her memories.
In this WW II drama based on an autobiographical story by director Michel Drach, a Jewish boy and his family living in Nazi occupied France, attempt to escape the cruel invaders. Later the boy grows up to become a filmmaker obsessed with chronicling his childhood.
In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.
Emerging from a lengthy dinner where his mother was exhibited without restraint for the favor of a man, Daniel returns alone, sickened. Without imagining the trap closes on him, he later agrees to have a drink with a neighbor he just help carry packages. She "vamp" and keeps her house without a very fierce resistance opposes too happy to escape his solitude. Taking advantage of the absence of his mother, Daniel finally leaves the high school and moved to the neighbor who, having close to her more often, gets him a place in the clinic where she is employed.