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Sérgio Ricardo's only animation film, a short made as a companion piece to his song "Zelão".
A beautiful young woman living in an isolated fishing community on an island falls in love with an outsider, a train machinist. But her father, a violent religious fanatic interferes.
Vidigal Hill, 1977. A runaway group of bandits engage in a complex love triangle in the brink of the news that the corrupt Rio de Janeiro mayor decided to make everyone move out of Vidigal, aided by police forces.
In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.
The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.
The series places Brazil and the world in the context of 1973 to show how fertile that period was for local music production. Each episode addresses a specific theme—such as military regime censorship, the rise of samba at the time, Brazilian rock, the importance of iconic album covers, production outside the Rio-São Paulo axis, and the renewal of bossa nova. To this end, the series invites musicians like Odair José, Charles Gavin, and Roberto Menescal, as well as journalists such as Silvio Essinger, Paulo Cesar de Araújo, and Renato Terra, to share behind-the-scenes details from that era. Each account is complemented by extensive research, featuring performances and interviews with artists who defined the year and remain fundamental to the history of Brazilian music.
Nara Leão revolutionized Brazilian music, broke prejudices, confronted the military dictatorship, opened paths for women. All this without changing the tone of her voice.