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The cartoon film sets out to justify the existence of UNESCO as an instrument for world peace.
Látal's nine-part puppet series completes Trnka's thirty-year-old work on Švejk. He thus completed the adaptation of Jaroslav Hašek's most famous literary work, a tragicomic satire about the wartime adventures of the eccentric Josef Švejk, in a puppet version based on Lada's artistic style.
Trnka’s sci-fi vision of the future in which machines and robots try to substitute themselves into the most beautiful human relationships. A cybernetic robot is supposed to substitute for the loving grandmother of a little girl. The wise grandmother, however, comes back and the girl finds the warmth of her grandmother’s loving arms again. Trnka’s artistic ideas in this film can be described as both poetically fragile and dramatically cautionary.
Two mischievous frost spirits make things chilly for a pair of travelers in this wintry comic folktale.
An animated singing western short in which a cowboy takes on the villain to save his beloved.
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.
Hurvinek cannot go to a circus because he injured himself when sliding down the stair rail. He daydreams that he is an acrobat riding a scooter and an animal-trainer taming beasts. (MUBI)
"Román s basou" is another short by master a stop-motion puppet-animator Jiri Trnka. The story is based on Anton Chekhovs story "Roman s Kontrabasom". Princess Bibulova decides to go fishing along the river while not far away a bass player leaves his two companions to go for a swim.
A monumental piece of art bringing the heroes of the ancient Czech myths back to life. The picture consists of seven parts: Cech the Forefather, Bivoj, Libuse, Premysl, Girls War, Horymir, Lucka War.
Adapting Jaroslav Hasek's raucous satirical novel, and also bringing Josef Lada's equally famous illustrations to garrulous puppet life, posed Trnka one of his biggest creative challenges. Trnka himself felt that the final episode was the most artistically successful, but there's much to enjoy in all three, not least the way that the lackadaisical layabout Svejk's own self-serving anecdotes are realized through cut-out animation.