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The waitresses at a Copenhagen bar find themselves listening to and advising various clients who wander in to unburden their current problems. The Blue Monk is so named because its jukebox constantly plays music by jazz musician Thelonius Monk. ...The Blue Monk
Description of Irene, a modern, free-spirited girl with a good job as press secretary for a film company. Nevertheless, she finds it difficult to get a grip on her life. She has grown distant from her husband, but for her daughter's sake she does not want to divorce him. Her lover Ebbe, a controversial journalist, is closer to her, but his violent infatuation can also be too much of a good thing. In a series of casual erotic relationships, Irene does not find what she is looking for either.
Laura and Micha travel the Danish countryside performing their off-beat cabaret show. Their personal lives suffer as a result of their dedication to their craft, yet the chaos that ensues becomes the grist for their revue.
A film experiment that uses a monotonous technique to depict a monotonous slice of daily life.
A look at the life of esteemed Danish writer Karen Blixen.
Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.
The story of life and everyday existence in the squatters collective ‘Jægergården’ located at Jægersborggade 3 in Nørrebro in the winter of 1970-71, where fifty young people occupied a property that had been vacant for two years. The director interviews neighbors, people on the street, and residents of the collective. After three months of occupation, they were evicted by the police.
Danish writer/director/critic Christian Braad Thomsen goes back to his Jutland village roots in this documentary film, and lets the interviews with his neighbors and others from his homeland speak for themselves. Jutland has gone from being a remote rural spot to becoming a favored vacation spot, and the rigors of unchecked development in contrast to the past is the main theme of their discussions.
An uptight, confused man lives with his wife and maid next to a big tree. He suspects people live up in the tree when he keeps finding various items and trash under the tree. The government appointed street cleaner doesn't do much, except occasionally take trashy people off the street and into the garbage. He suspects the maid of stealing food and sexual perversions, and the police precinct is literally a farm with insane cops imprisoning lamps and horses.
A cheerful tale of what can happen when the two sexes try to achieve balance through millimeter democracy, including when it comes to love and cohabitation. After throwing rolling pins and other objects at their husbands, the women have left their husbands behind in the city and are spending sunny and fun days at a camp, while their husbands take over the boring daily chores. The men send a brave negotiator, who approaches the camp with a white flag raised above his head.