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Antunes Filho's TV adaptation of Consuelo de Castro's play "Implosão" where the author draws a parallel between the first implosion of a building in São Paulo, the Mendes Caldeira building, in November 1975, and the collapse of a marriage, suffocated by economic needs and relationship problems that end up leading them from a progressive separation to a loneliness as a couple.
As the clock ticks away announcing the end of the year, the four members of a family reveal their inabilities and frustrations, their defeats and the monotony of a life that drags on in a solitary way, even as a group.
The story of two famous surgeons who are led, under mysterious circumstances, into the presence of an even more mysterious personality.
Dina Sfat plays Carlos Dolabella's romantic partner in a fictional soap opera that fascinates the daughter and wife of a simple country man, played by Jofre Soares. After receiving a TV set, Soares begins to doubt his traditional knowledge of weather forecasts and begins to worry about the end of the world due to the oil crisis and pollution.
Sexy girl seduces all the members of her family. She indirectly causes the failure of his father's marriage, for her stepmother falls in love with her. Then, she has affairs with her father's stepson, and with the farm housekeeper. She and some friends are also raped by some bad guys. But they all celebrate the ruin of traditional family values.
Cowboy Riobaldo is attracted to same sex Diadorim, not knowing that "he" is a girl dressed in man's clothes. After Diadorim's father is killed, she swears revenge, being joined by Riobaldo in this mission.
A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.