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1989 is an important year in the political history of Hungary. However, Petya and his friends couldn't care less. They are about to graduate high school. The only important things to them are the parties, girls, making some easy cash. And of course, passing the upcoming exam with the leaked questions.
Anthology film made as an act of protest against Hungarian government of Viktor Orban.
An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.
Housewife Katalin Munk has her world torn apart when her lecturer husband János arrives home to tell her that he’s leaving her for a younger student of his. Katalin falls into a state of shock and wanders about the streets of Budapest in just her dressing gown carrying a pair of scissors. After a series of misadventures, Katalin eventually ends up in Turkey, where suddenly Katalin is awakened and decides to start a new life after meeting local man Halil. Meanwhile her son Zoli tries to hunt Katalin down.
One day of a Hungarian stock trader.
Aspiring director Kishorváth seeks approval for his debut film, based on his grandfather’s odd ’60s protest: he and friends formed a “Danube Indians” tribe, donned moccasins and withdrew from society under strict moral codes. In the paranoia after ’56, the group’s strange weapons, secretive speech and ties to Americans draw government suspicion. When a censor on the approval board, whose own family was involved, challenges the tale, Kishorváth digs deeper into his grandfather’s true story.
"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.
After a mass-collision in the morning rush, people from different backgrounds are forced to directly interact with each other.