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Adam is trying to fix his marriage but both his wife Asia and teenage daughter Dafi are too busy with their lovers.
When ten-year-old Aya is left at a kibbutz where children are housed by age instead of gender, not only does she have to get used to dealing with a lot of children, making friends and enemies, she also has to get used to sharing her room with boys... and sharing the showers with them too.
Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?
Renowned Israeli filmmaker and actress Michal Bat-Adam produced, wrote, and directed this intriguing tale of romantic obsession in present-day Tel Aviv. The beautiful Michal Zuaratz stars as a young female photographer infatuated with a stranger whose image she accidentally captures on film.
Hila is a single mother of a 7-year-old girl named Naomi. Hila discovers that Shaul, her daughter's father, has returned to Israel with his family after years abroad. Shaul does not know that he is Naomi's father and is not even aware of her existence. Hila, who is still obsessively in love with Shaul, tries to talk to him but he avoids her, leading her towards a mental breakdown. When Hila's heart finally opens to another man, she is attacked by anxiety, fearing she will lose Shaul forever.
Israel 1948. A house by the sea in Jaffa, from which Palestinian families have had to flee in haste, becomes the home of Jewish survivors who managed to escape the inferno in Europe. Out of the turmoil of their existence, under the shadow of the unresolved conflict between Jews and Arabs, rises a desperate cry for.
The director writes a script. Characters from her past and characters she meets on the street and elsewhere, sneak into the story and take control of her. As she writes, she sees herself in all female characters and her close friend Gadi, who is an actor by profession, in all male characters. Writing the script gives the director a chance to take a fresh look at the life and destiny she creates, life, which is actually her life, and it gives us a chance to take a look at the sources of inspiration and the creative process.
Michal Bat-Adam films her life with her partner, Oscar-winning director Moshe Mizrahi, and their son Daniel. A story of their life walking on parallel paths, struggling to maintain their love and creative partnership even when the sea separates them.
Explores the relationship between an eleven-year-old daughter and her ailing mother, who is losing a grasp of reality in the surrounding environment of insensitivity and cruelty.
Nina (Fanny Ardant) is a French concert pianist, Ilan (Sharon Alexander) is an Israeli computer specialist visiting Paris. A romance springs up between them, and they get married. Not long afterward, Ilan is called into the Israeli army to serve his obligatory tour of duty. Things are heating up with Saddam Hussein (it is just before the Gulf War), who has just invaded Kuwait. Nina receives a call from the military informing her that her husband was wounded in combat. She rushes to his side and soon discovers that he was wounded by Israeli soldiers while he was in the process of deserting his post. It is clear from his own zombie-fied behavior that this allegation is true. Despite this horrifying revelation, she still loves him, but becomes increasingly estranged from the society around her because she feels shunned. On top of all this, she must soon make her concert debut with the Israel Philharmonic.